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Thanks for Watching: Index

Thanks for Watching

Index

Index

accountability, 170, 171; anonymity and, 22; anxiety over, 269

activities, 73; cultural, 64; mediated, 259; profit-making, 249, 250; social, 5, 97

actor-network theory, 191, 299n11

advertisements, 115, 229–30, 231, 243, 247, 250; lifetime views and, 283n4; overlay, 227; placing, 232; revenue sharing with, 234; video, 85

aesthetics, 97, 148, 183, 197, 198, 225, 237, 247, 264, 274, 281, 282; creative, 212; participatory, 65; vernacular, 263

Affleck, Ben, 58

Affleck, Violet, 58

AKT Enterprises, 238

algorithms, 187, 189, 190, 192, 194, 197, 199, 202, 234, 247, 249, 250, 251, 259; automated, 183; demands of, 228; viewing, 28–29

alters: connections through, 28; digital, 208; posthuman, 29, 212; violative, 194–97; YOUTUBE, 222, 223, 224

Althusser, Louis, 296n46

Amazon.com, 300n33

American Anthropological Association, 277

Amit, Vered, 153, 184

Anaheim Convention Center, 81, 238

anakin1814, 39–40, 42, 78, 96; media of, 221; posting by, 77

analysis, 3, 7, 10, 12, 65, 70, 149, 150, 154, 167; anthropological, 274, 281; discourse-based, 159; rhythm, 8, 9, 108, 270; temporal, 135

Anderson, Benedict, 164, 282; analysis of, 154, 167; on communities, 153, 281; community and, 152

Anderson, Chris, 41

Andren, Eric, 127

Angelcheeks (video), 136, 137

Angelcheeks Foundation, 136

annotations, 168, 296–97n56

anonymity, 28, 145, 147, 255, 269, 286n74; accountability and, 22; discourse and, 169–74; importance of, 21–23; obsession with, 174; partial, 174; relative, 23; unmasking, 169–74

anthropological concepts, 4, 7, 12, 29, 30, 150, 255, 280

anthropological record, 16, 117, 129, 140, 143, 144, 145, 147, 152, 183, 255

anthropological studies, 16, 116, 188

anthropology, 12, 28, 30, 33, 63, 74, 107, 108, 144, 145, 153, 165, 192; cultural, 281; cyborg, 7; digital, 11, 277; linguistic, 281; Malinowskian tradition of, 158; public, 147, 173; reconsiderations of, 152; shared, 179; traditional, 273; visual, 11, 168, 179, 275, 276, 279, 280–81

Anthropology Video Blog, 12

AnthroVlog, 12, 13, 34, 35, 109–11, 130, 140, 144, 147, 198, 217; Bulletin, 110; comments on, 118

anti-memory, 31, 257–61

anti-Semitism, 28, 195, 196

anxiety, 23, 28, 117, 201, 207, 269, 279; algorithmic, 197–200; temporal, 272

Appadurai, Arjun, 77, 78, 302n96

arrhythmias, 9, 129, 146, 166–68, 206, 228, 230, 232, 235, 240, 250, 251, 252, 270, 271, 272; participatory, 248, 249; social, 246

As One, 84

Ask a Ninja DVD, 12

Askanius, Tina, 166

Association of Internet Researchers, 302n81

attention economy, 60, 113, 114

audiences, 176, 188, 228, 249; mass, 39, 115, 129

augmentation, 195; advantageous, 196; asymmetrical, 199–200

Bakhtin, Mikhail, 89–90, 92

Banks, Marcus, 11, 275

Basilio, Ryan, 246; death of, 210–12, 214, 245

Baym, Nancy, 44, 75

Bear, Greg, 194

Becker, Howard S., 238

Behar, Ruth, 63

behavior, 11, 75, 113, 125, 166, 172, 221, 239, 256, 268; acceptable, 281; antisocial, 10; interaction on, 294n49; monitoring, 269, 278; narcissistic, 24; online/offline, 20, 21, 99; problematic, 157, 169, 196; quid pro quo, 127; self-centered, 132; social, 99; video-blogging, 62

Bernard, Michael, 194, 195

Beverly Hills City Council, 245

Beyond Viral: How to Attract Customers, Promote Your Brand, and Make Money with Online Video (Nalty), 115, 248

Biella, Peter, 179

binaries, 20, 53, 97, 99, 269; Cartesian, 254; formulation of, 270; online-offline, 70, 77, 96, 102, 103

blaggabloogy, 165, 166

Blake, Roberto, 126, 127, 249–50, 251; subscriptions and, 132

blip.tv, 109, 111, 292n8, 302n92

blogging, 39, 72, 169, 173, 177, 233, 237, 288n31, 289n71

Blood Music (Bear), 194, 202

bnessel1973, 47, 79, 118, 119–20, 135, 136, 137; gratitude for, 142; video by, 121, 141

Boellstorff, Tom, 10, 150, 196

boh3m3, 94, 95

Bollmer, Grant David, 207

bonds, 85, 102, 183, 205, 223; communal, 108; continuing, 210, 215; interpersonal, 111

bots, 131, 200, 300n34

boyd, danah, 112, 122, 124, 127, 257

Brian, 118, 121, 142; reciprocity by, 119–20

Brittney, 178–79

BRITTNEYLEESAUNDERS, 178

BroJo Ghost, 53, 54, 55; photo of, 54

Brown, Barry, 113, 133; reciprocity and, 112, 121, 124, 130

Burgess, Jean, 10, 221, 258

burnout, 30, 227, 249–51, 252

Butler, Shay Carl, 236, 239

CafePress, 115

cameras, 36, 37, 56, 60, 91, 94, 112, 138, 235, 239, 278; being on, 49; body-mounted, 289n71; GoPro, 41, 189n71; high-end, 35; observing through, 57–58, 64; participation and, 61, 64–65; photo of, 276; privacy and, 280; proliferation of, 276; video, 51, 54, 204

cavwondagainsti69, 165, 166

celebrities, 23, 96, 289n75; interviews with, 176; orientation toward, 241; YouTube, 5–6, 7, 130, 156, 230, 239, 240, 241, 242, 243, 248, 257

Center for Disease Control, 136

Chagnon, Napoleon, 179

Chalfen, Richard, 11, 97

chat service, 19, 220, 291n21, 302n88

Cherny, Lynn, 75

Chocolate Rain (video), 242

“Chocolate Rain” song, 242, 304n55

Christensen, Dorthe Refslund, 204, 207, 208

“Christmas Truce,” 88

chronotopes, 12, 26, 70, 71, 92–93, 94, 98, 105, 106, 253, 269; commemorative, 91; concept of, 89–90; literary conventions and, 90

civic issues, 12, 22, 162, 174

civic messages, 136, 212, 280

Clifford, James, 6, 284n30

CNN.com, 211

Cohen, Anthony, 152, 155

Coleman, Beth, 20, 195, 286n70, 299n7

Coleman, Wim, 301n46

collaboration, 91, 94, 185, 203, 276, 277, 278, 280; birthday, 136; ethnographic, 277; heartfelt, 134

collective, 184, 281, 282; needs of, 201–2; posthuman, 215, 272

Coming of Age in Second Life (Boellstorff), 10

commenters, 48, 51, 110, 112, 117, 119, 141, 172–73, 180, 246; anonymous, 170; gratitude from, 142; identities of, 174; interactive, 159–60; postings by, 158–68; rating system of, 177

comments, 7, 35, 90, 97, 115, 134, 140, 142, 160–61, 166, 167, 185–86, 200, 261, 264, 266, 271; anonymous, 21; answering, 110; constructive, 169–70, 173; contributing, 38, 193; controversial, 151; corpus of, 173; cruel, 157; encouraging, 130, 152; expectations for, 174–77; gaming, 248; generic, 125; hater, 157, 177, 263; inappropriate, 175, 176–77; inclusion/exclusion of, 177; mean, 199, 295n8, 297n63; moderating, 151, 176; negative, 177; neutral, 160, 163; popularity of, 122; positive, 170, 175; problematic, 160, 177; public, 13; random sample of, 161, 161 (table); reciprocity and, 110, 117–22; removing, 177, 199; threatening, 169; video, 104–5, 113, 180, 184

commerce, 188, 206, 230–31, 285n54

commercial events, 239, 240, 243, 266, 282

commercialization, 3–4, 10, 16, 17, 85, 233, 238, 240, 246, 252; meaningful, 282; move toward, 256

communication, 10, 19, 97, 112, 166, 167, 199, 230, 251, 280; computer-mediated, 294n49; electronic, 162; mass, 183; political, 169; sociality and, 15; structuring, 61

communitainment, 154, 223–24

communitas, 27, 84–86, 106

community, 3, 7, 12, 14, 39, 42, 50, 77, 85, 86, 124, 129, 145–46, 173, 194, 218, 231, 233, 252, 254, 259, 262, 280; achieving, 150, 178, 185; Asian/Asian American, 223; building, 146, 148, 164, 166, 182, 183, 282; concept of, 27, 147, 164, 184, 186, 281; defining, 155, 161, 163–65; digital, 129, 160, 296n46; discussions of, 147, 155, 179, 185; ethos of, 154, 223; formation, 8, 146, 158, 159, 163, 244; imagined, 29, 152, 153, 164, 185, 282; media generations and, 147; mediations on, 177–79; models of, 162; notions of, 27–28, 255; online, 111–12; parameters of, 147; as processual, 182–86; prospects for, 28, 152, 155–58, 160–63, 179; rhetorical aspects of, 165; term, 184, 255; trans YouTube, 223; tropes of, 170

conceptualizations, 25, 105, 188, 189

conflicts, 238; ideological, 272; interpersonal, 197; participatory, 9; processual, 197

connections, 159, 182; internet and, 76; interpersonal, 25, 117; mutual, 108; visual, 36

content: action-worthy, 123; cultural, 146; democratized, 247; extreme forms of, 247; moderating, 234; temporal padding of, 248

contextualization, 229, 230, 275, 279–80, 281

conversations, 50, 175; mediated, 182, 292n54

corporate entities, 66, 164–65, 166, 228, 253, 254

Craig, David, 151, 154, 223, 251, 305n73

creativity, 27, 122, 129, 271, 277

Creator Academy, 235

Crisis Avoided—THANK YOU (video), 139

Crook, Rodney, 163

cultural contexts, 23, 71

cultural forms, 17–18, 26, 259, 266

cultural groups, 11, 76, 275

cultural patterns, 177, 261

cultural practices, 16, 259

culture, 10, 23, 45, 61, 71, 76, 78, 137, 191, 209, 232, 274; celebrity, 6; defining, 16; employee, 159; multiple, 282; participatory, 29, 33, 36–37, 50, 51, 53, 55, 65, 68, 196; pop, 83; processual view of, 184–85; public, 263; technical, 138; video, 32, 189; video-sharing, 25, 49, 55, 138, 142, 188, 261–81, 270, 271; visual, 56

Cunningham, Stuart, 151, 154, 223, 251, 305n73

curation, 210–12, 274, 275

Curtis, Sonny, 83

cyberbullying, 79, 199, 300n38

cyborg studies, 191

CyndieRae, 136

Cyworld, 257

DaleATL2, 100–101, 119, 134–36; diversity and, 156

danbergam, 162

data, 187, 195; collecting, 13, 15, 180, 182, 243; creating, 151; digital, 187; ethnographic, 183, 188, 227; friction, 102, 103–4; genres of, 267

Dave & Buster’s, 69

Day, Mark, 109

de Seta, Gabriele, 150, 151, 182

Dean, Jodi, 258

death, 8, 28, 208; cultural rituals of, 207; digital, 204, 205, 206–7

Death Online Research Network, 203, 204

deathstyle, 207, 208, 222, 301n72

Dedman, Jay, 57

Definitive Way to Go Gluten Free (Rignola), 79

DeFranco, Philip, 236

Deleuze, Gilles, 261

demographics, 15, 70, 86, 222, 257, 258

desire, 9, 17, 22, 42, 52, 53, 55, 98, 103, 104, 113, 133, 165, 172, 188, 202, 207, 210, 251, 254, 264, 266, 268; chronotopic chain of, 96, 97, 105, 106; digital, 29; human, 212; posthuman, 209

dialogue, 12, 151, 166, 168, 263, 288n16

diaspora, 76, 152; digital, 302n86

Digital Ethnography, 14, 181

digital media, 9, 11, 14, 20, 51, 76, 101, 204, 265, 275; contexts of, 262; death and, 206–7; reciprocity in, 111–13, 130

Disappearing YouTubers (video), 219

discourse, 28, 31, 79, 255, 257, 259; anonymity and, 21, 169–74; diversionary, 267–69; engaged, 211; narcissistic, 268; networked, 268–69; online, 21, 23; popular, 6, 18; positive, 170; productive, 18; public, 17, 199

Discussion page, 13, 114, 115, 130

Disney, 236, 304n36

Disneyland, 238

disposition, 112, 177; media, 30, 169, 272; mediated, 51, 62

diversity, 60, 86, 87, 148, 156; lack of, 238; vernacular, 66

Donovan, Ben, 236, 237

Donovan, Lisa, 125, 236, 237

Douglas, Mary, 108, 155

Down with Robtran (video), 197

Driscoll, Kevin, 222–23, 224, 260

drum circles, 33–34; photo of, 66; video, 65–68

dynamics, 64, 240; community, 148, 185; cultural, 142; emotio-temporal, 119; emplacement, 70, 75–76, 78; force-based, 33; interactive, 16, 253; interpersonal, 4, 97, 109, 144; meet-up, 71–73; posthuman, 197; reciprocity, 140; vernacular, 26

Earle, Leon, 163

ecology, 273, 305n73; interaction, 21; media, 39, 44, 189, 220, 221; mediated, 216; screen, 251

Edgar, Don, 163

Edwards, Paul, 102

“888,” 26, 91

elites, 24, 67, 94, 263, 268

Ellison, Nicole, 257

emotion, 48, 101, 201, 216; community and, 155; raw, 209, 210; sociality and, 27

empathy, 30, 36; emphasizing, 262–65

emplacement, 12, 30, 79–83, 84, 257, 290n9; analyzing, 269–70; chronotopic, 90, 92, 106; dynamics of, 70, 74–76, 78; sociality and, 75; video making and, 74

End Screen, 296n56

engagement, 166, 174–75, 225; active, 174, 277; analytical, 159; civic, 175, 268, 275; community, 256; levels of, 150; principal forms of, 159; public, 180; reciprocal, 109; temporal, 271; video, 24

environment: arrhythmic, 252; commercial, 228; digital, 10, 11, 27, 117, 269, 280; discursive, 155; financial, 229; hybrid, 252; media, 266, 267; mediated, 228, 258–59, 269; networked, 264; posthuman, 195; social-commercial, 144; video-sharing, 27; YouTube, 39–40, 234, 237

ethics, 203, 254, 277, 278

Ethnografilm, 284n39

ethnography, 11–14, 27, 36, 64, 68, 70, 73, 74, 76, 89, 109, 168, 216, 253, 262, 263; anthropological, 273–74; digital, 10, 147, 150, 158; forms of, 62; internet, 75; role of, 274–81; stakeholder, 158; textual, 281; video, 35, 278; visual, 26, 33, 35, 63, 224, 274, 278, 281

Ethnography and Virtual Worlds (Boellstorff), 150

eurhythmia, 65

exchange, 107; forms of, 129–31; immediate, 134; media, 17, 32, 66

exhibitionism, 43, 46, 48, 60, 62

experience, 3, 6, 27, 30, 73, 85, 95, 106, 153, 189; asymmetrical, 228; authentic, 61; chronotopic chains of, 253; collective, 201; communal, 154; cultural, 273; embodied, 55–56; enlivening, 101; fan, 243, 244; lived, 30, 35; mediated, 56, 60, 70, 270; online-offline, 18, 70; posthuman, 189, 194, 206–7; pure versus inauthentic, 56

Experience: As One Gathering (video), 93

expression, 20, 23, 114; cultural, 16, 17, 18; encouraging, 144; facial, 212; self, 193

Facebook, 5, 29, 99, 176, 204, 205, 211, 214, 216, 219, 221, 222, 234, 257

FanFest, 238

fans, 45, 243, 244

Fatpandas, 162, 163

feedback, 39, 50, 129, 180

Fellini, Federico, 58

fiction, 88, 153, 189, 191, 192, 199, 263; gay-friendly, 300n33; posthuman, 222

film studies, 42, 277, 279

“Filming the filmmakers: Longole,” 279

footage, 12, 26, 57, 93, 94, 101, 113, 116, 117, 119, 150, 209, 213, 267, 278, 279; home mode, 97; inappropriate, 278; interview, 149; meet-up, 4, 27, 82, 84, 98, 104; observational, 35; sharing, 134–38, 142, 280

Fopp, Rodney, 163

Ford, Sam, 182

4 Reasons YOUTUBE RED IS GOING TO FAIL|Rant (video), 230

frameworks, 26, 222, 273

Francis, Pope, 56

Frank, Ze, 109

fredrika27, 159

FreeWingz, 214, 215

Freud, Sigmund, 43, 46

frictions, participatory, 99–105

friendships, 15, 23, 41, 110, 152, 228–29, 237, 238, 303n5; connotations of, 253; trajectory of, 103

fungibility: emotional, 71, 99–100, 106, 270; experiential, 101, 102; media, 99, 102; participatory, 99–105, 270; physical, 71, 102, 106

Gambito, Christine, 223

gaming, 20, 230, 248, 302n85

Garner, Jennifer, 58

Gates, Bill, 229

gatherings, 12, 18, 19, 37, 72, 75, 79, 90, 93, 96, 103, 220, 242, 280; activities at, 73; As One, 84; attending, 104; chronotopes of, 92; classic, 304n56; commercial, 81; early, 26; grassroots, 81, 82, 239, 246; large-scale, 69, 73; observations at, 87; private, 115–16; reunions and, 86; YouTube, 86, 91, 105, 106, 218. See also meet-ups

Gauntlett, David, 41

Geertz, Clifford, 179

GeneticBlend, 79, 80, 98, 135, 136

Geraci, Robert M., 285n63

Gershon, Ilana, 56, 206

Gharaibeh, Kassem, 236

ghostinvestigator, 167

Ginsburg, Faye, 258–59

globalization, 93, 121, 164

Godelier, Maurice, 129

Goffman, Erving, 22, 204

Going, Ben, 95

Google, 111, 171, 198, 236; advertisements and, 232; algorithms of, 247; policy by, 205–6; purchase by, 5; YouTube and, 229

Gotved, Stine, 204, 207, 208, 210, 302n80

Gouldner, Alvin, 113

Graceffa, Joey, 230, 240

graffiti, 151, 295n10

Granovetter, Mark, 174

grassroots, 71, 235, 240, 241, 245, 246

gratitude, expressing, 138–41, 142

GreasyGuide.com, 176

Green, Hank, 81, 231, 238

Green, John, 81, 231, 238

Green, Joshua, 10, 182, 221

Griffith, Maggie, 45, 46

Gross, Larry, 277, 279

Guattari, Félix, 261

Gulia, Milena, 21, 152

Hampe, Barry, 35

Hanner, Jill, 76–77, 119

HappySlip, 223

harassment, 170, 172, 176, 196, 199

hate speech, 28, 176, 199, 234

haters, 8, 21, 28, 42, 156, 157, 159, 160, 170, 173, 177, 195, 196, 198, 199, 201, 202, 211

Hayles, N. Katherine, 194, 202

healing, forms of, 45–48

Hecox, Ian Andrew, 230

Hemsley, Jeff, 181, 182

Herring, Susan, 169

heteromorphic reciprocity, 114, 130, 137, 140, 255

Hey Watch This! Sharing the Self through Media (video), 12, 51, 101, 206, 233

Higa, Ryan, 223

Highfield, Tim, 203, 204

Hilton, Paris, 157, 290n79

history, 90, 91, 199; alternative, 260; erasing, 273; media, 39; shared, 71, 94; visual, 279

Hodson, Ryanne, 46, 57, 265, 266

Holmes, Douglas, 158

homeomorphic reciprocity, 114, 130, 144, 255

homogeneity, 155, 164, 184, 281

homophobia, 21, 169, 177

Hondros, John J., 300n34

Hugs for Jacey Campaign, The (video), 200, 201

Hulu, 229

human spirit, 188–89, 234

humanity: death of, 190; future, 209; mediated, 207

Hutchens, Myiah, 169

Huynh, Tony, 219

I hate what youtube has become (video), 233

“Iconophobia” (Taylor), 279

identity, 7, 13, 21, 23, 28, 139, 169, 174, 195; change, 203; collective, 16, 129, 153; common, 163; construction of, 11, 192; digital, 268; ends of, 204; fluid, 191; gender, 199; individual, 188, 189; informational patterns and, 28; interpretations of, 204; Latinx, 241; participatory, 78, 193; performative, 191; perpetrator, 170; posthuman, 192, 203; public, 197, 200; virtual, 22

ideology, 282; media, 56, 60, 61, 62, 64, 68

idioms, 108, 192; mediated, 7, 28, 83, 206; video-blogging, 51, 61, 276, 277

Illuminatta, 98

Image Ethics (Gross, Katz, and Ruby), 279

Image Ethics in the Digital Age (Gross, Katz, and Ruby), 279

images, 60, 191, 199, 277; alternative, 197; awkward, 279; digitized, 20; home mode, 97; maximizing, 35; posting, 275; public, 59; rights to, 279; uncomplimentary, 279; visual, 7

imagination, 5, 184, 251, 252; popular, 18, 117, 153, 185

information, 23, 153, 168, 175, 179, 195, 238; collecting, 181, 182; contact, 206; demographic, 15; discussing, 159; identity, 22, 28; imparting, 182; logistical, 95; personal, 275; quantitative, 150; sharing, 23, 257, 258, 262, 280; withholding, 170

infrastructure, 75, 153, 185, 269; commercialized, 182; communicative, 75; digital, 43; drum circle, 67; economic, 16; technical, 16, 180

Ingold, Tim, 291n22

Instagram, 29, 219, 236, 255

interaction, 50, 51, 62, 65, 78, 94, 96–97, 114, 125, 138, 142, 143, 187, 204, 244, 276; chronotopic, 89–92, 106, 254; collective, 282; digital, 18, 21, 22, 112, 269; emplacement and, 269; history of, 141; in-person, 19; inter-threaded, 72, 75, 76; mediated, 20, 23, 74, 75, 100, 228, 261; modalities of, 18, 76, 111; networked, 20; online, 19, 20, 172; participatory, 36, 111; promoting, 134, 181; reciprocity and, 111, 121, 134, 140; rhythms of, 8; social, 16, 43, 92, 124, 156, 260; sociality and, 75; third-person, 144

interactivity, 35, 65, 66, 76, 92, 143, 159, 161, 179, 188; constructive, 165–66; cycle of, 134

internet, 56, 57, 62, 77, 103, 125, 212, 222, 223, 260; connections and, 76; studies, 75, 203; third wave of, 17; trajectories of, 223; usage, 5

internet cafés, research on, 75

Internet Protocol, 286n80

Internet Research14.0, 301n81

interpretation, 22, 37, 62, 152, 269, 271

interviewees, 4, 35, 38, 42, 74, 84, 104, 115, 123, 143; behavior and, 75; reciprocity and, 121–22; researchers and, 36; video sharing and, 23; You Tube experience and, 3

interviews, 13, 35, 49, 53–54, 67, 74; conducting, 277; ethnographic, 208, 243, 267; reciprocal, 50; remarks, 113, 142; semistructured, 14; video, 67; walking, 277

Introduction to Australian Society (Edgar, Earle, and Fopp), 163

“invisible wall” approach, 35, 36

iReporter, 211

ItalianStallionette, 88, 91, 92, 196

Ito, Mizuko, 299n123

Jacey, 200, 201

Jane, 48, 119; data friction and, 103–4; memorial by, 47

Jenkins, Henry, 6, 36, 50, 67, 182

JennaMarbles, 239, 240

Jenner, Bruce/Caitlyn, 174

Jones, Graham M., 288n16

Juhasz, Alexandra, 180, 182

K80Blog, 119, 217, 218

Karim, Jawed, 84, 171

Katz, John Stuart, 277, 279

Kavoori, Anandam, 10, 284n30

Kay, Olga, 40, 41, 49, 239

Kendall, Lori, 21, 75

Kendall, YT, 303n3

Kennedy, Jamie, 157

kenrg, 93, 94, 136

KevJumba, 223

Kids on YouTube (Lange), 11, 42, 51, 138, 200, 244, 264

Kjellberg, Felix, 248

Knott, Kathryn, 297n76

knowledge, 261; anthropological, 280; cultural, 85; exchange, 9, 169; generational, 212–13; technical, 264

Kollock, Peter, 111–12

La Dolce Vita (Fellini), 58

landscapes, 203; YouTube, 228–51

Lange, Patricia G., 92, 137, 208; photo of, 244

Lasch, Christopher, 44

Law of Reciprocity, 294n64

learning: collaborative, 223; by going viral, 179–82

Learning from YouTube (class), 180

Leaver, Tama, 203, 204, 205, 206, 211

Lefebvre, Henri, 9, 25, 91, 141, 143, 166–67, 177; analysis by, 8, 65, 167, 270; arrhythmias and, 129, 228; media and, 216; model of, 185; rhythmic patterns and, 8, 146, 270; rubric of, 8, 227; temporalities and, 142, 164, 256, 270

Lefebvrian cycle, 30, 32, 69, 130, 146, 185, 188, 256

legacy: digital, 29, 187, 188, 203–16, 223; historical, 273; media, 206; mediated, 272; social, 209; video, 207, 213

Lemelson, Robert, 179

lemonette, 157; attention for, 59, 60, 64; described, 57–58; photo of, 59

Lennyfoshenny, 163, 164

“Let’s Play” videos, 223

Lévi-Strauss, Claude, 287n98

lifeways, 4, 63, 273, 274, 275

LindaSVorhies, 119–20

linguistics, 169, 281

LinkedIn, 5

LisaNova, 49, 125, 236

literacy: developing, 67; digital, 37, 40, 66, 151, 199, 263, 264, 280; participatory, 269; spectatorial, 275; visual, 264

Little YouTube #community (video), 178

Long Tail, The (Anderson), 41

Los Angeles County Planning Commission, 245

Los Angeles Space, 235

“Love Is All Around” (song), 83

Lovink, Geert, 122, 151, 171, 185–86

loyalties, 153, 155, 210, 237, 282

Lurker6-7-8, 53

lurkers, 25, 50, 51, 52, 53, 133, 277

MacArthur Foundation, 14

MacDougall, David, 279

MacDougall, Judith, 279

Machine Is Us/ing Us (video), 180–81

Machinima MCN, 236

Maddox, Jessica, 43, 46

Madianou, Mirca, 307n44

Maggothon, 161, 165

Maker Studios, 236, 237, 239, 292n8, 304n36

Mann, Steve, 277

Marcus, George, 78, 158

Markham, Annette, 70, 75

Martinez, Wilton, 168

Marwick, Alice, 122, 124

Mary Tyler Moore Show, The (television show), 69, 83

mash-ups, 195, 197; videos of, 28–29, 196

Mauss, Marcel, 124

McNamara, Kim, 290n79

McNeill, Laurie, 204

MCNs. See multi-channel networks

Mean Kitty Song, The (video), 84–85

media, 14, 16, 51, 56, 83, 86, 102, 189, 204, 212, 224, 252; collectivity and, 281; corporatized, 23; creating, 11, 50, 143, 253; democratized, 107–8; different forms of, 188; do-it-yourself, 24; everyday, 10; grassroots, 183; home mode, 97; inappropriate, 22; inter-threadedness of, 19; markers, 12; mass, 5, 6, 37, 39; messages, 37; migration to, 9; news, 83; posthuman, 254; professional, 6, 49, 118, 268; psychology of creators and, 46; rhythmic patterns of, 9; ritualized, 153; self and, 43–44; sensory, 99; sociality and, 6, 144, 152; socially motivated, 256; technologized, 192; temporal evaluations of, 265; types of, 100; vernacular, 263

media generations, 30, 179, 234, 255, 256, 282; community and, 147; determining, 262; features and, 272–73; monetization and, 232; support for, 235; vloggers and, 226

media making, 4, 12, 16, 39, 44, 50, 56, 57, 126, 259; democratized, 86; participation and, 8; reciprocity and, 144

media sharing, 4, 125, 227, 280; engaging in, 200; forms of, 256, 262; global public and, 263

mediascapes, 4, 89, 93, 96, 98, 222; communicative, 216; constructing, 76–79; interactive, 80, 99

mediation, 9, 10, 11, 21, 31, 33, 47, 51, 64, 74, 100, 102, 150, 155, 177–79, 184, 281; analysis of, 7; expecting, 62; experience and, 60; impact of, 58; interactive, 270; interpersonal, 61; lack of, 58; moment and, 60; observational, 35; online/offline, 269; participation and, 55–61; patterns of, 258; place and, 26; self-focused, 48; sociality and, 68; suspicion of, 56; technologized, 26; time/place and, 70; types of, 19, 99, 269, 282; video, 25, 28

meet-and-greet events, 238, 243

Me at the Zoo (video), 84

meet-ups, 12, 13, 14, 15, 25, 33, 38, 41, 69, 70, 77, 84, 85, 88, 91, 96, 99, 100, 101, 111, 114, 115, 118, 131, 133–34, 136, 137, 140, 156, 158, 212, 214, 217; attending, 49, 72–73, 98, 104, 127; character of, 76; chronotopic, 26, 90, 93; commercialized, 239; data friction at, 102–3; democratizing spirit of, 245; diversity at, 87; dynamics of, 71–73; future, 104–5; grassroots, 241, 242, 246; importance of, 26; inter-threaded aspect of, 93; monetization of, 30, 238–51; origins of, 71–73; social side of, 205; videos of, 72, 79, 94–95, 97, 98, 106, 209, 269, 270, 276

Meikle, Graham, 280

memorials, 47–48; digital, 209, 210; posthuman, 215–16

memories, 86, 136, 139; collective, 71; covering, 138

meshworks, 75, 291n22

metrics, 182, 232; monetization, 233, 247; viewing, 81, 123, 126, 131, 305n62; watch-time, 251

Meunier, Jean-Pierre, 88

microwavefishsticks, 172, 173, 297n81

Middleton, Kate, 58–59

Midwest Gathering, 72, 90, 91, 104–5; photo of, 54

Midwest Gathering Shindig (video), 55

Midwest Lurker, 51, 52, 53, 289n62

migration, 9, 30; conceptual, 189, 216, 217, 218; digital, 8, 12, 28, 189, 216–20; radical, 216–17

milieus, 36; community and, 183; digital, 19, 23, 32, 49, 53, 142, 143, 144, 169, 217, 255, 270; mediated, 17, 33, 75; social, 9, 33, 146, 253; video-blogging, 276; video-making, 31; video-sharing, 32, 256

Miller, Daniel, 76, 180, 257–58, 267, 268; on internet, 75; polymedia and, 307n44; social media and, 20, 171–72

Minecraft, 223, 262

Mitchell, W.J.T., 56

modalities, 28, 67, 99, 111, 142, 270; functionality of, 292n54; interactive, 18, 71; inter-threaded, 25; maximizing, 18–21; mediated, 70, 102; multiple, 270, 282; sensory, 100; sociality and, 70; types of, 105; video-blogging, 96

monetization, 4, 7, 8, 81, 124, 126–27, 130, 132, 178, 188, 224, 227, 228, 229, 252, 256, 257, 260, 261, 272; activating, 234; boosting opportunities for, 122; impact of, 233; MCNs and, 235–37; media generations and, 232; meet-ups and, 238–51; policies about, 5; reaction to, 29–30; single-video, 232; sociality and, 233, 250; socialization and, 231–35

Moore, Mary Tyler, 82–83

Moosh Walks, 40–41, 249

Moran, James M., 263

Morphy, Howard, 11, 275

Mourey, Jenna Nicole, 239

Müller, Eggo, 67

multi-channel networks (MCNs), 235–37

multi-user domains (MUDs), 284n33

music, 39, 40, 41, 55, 69, 77, 82, 83, 95, 183, 200, 213, 219, 229, 231, 242, 243; enjoying, 65; quality of, 67; video, 136

musoSF, 96, 119, 127, 128, 136; video making and, 41–42

My Life as a Night Elf Priest (Nardi), 10–11

My YouTube Story (video), 118–19, 141

MySpace, 39, 205, 218, 221, 222, 234, 284n27

MysteryGuitarMan, 239, 243, 244

Nahon, Karine, 181, 182

nalts, 115, 116, 136, 248

Nalty, Kevin, 115–16, 125, 248

narcissism, 23, 24, 29, 113, 125, 143, 199, 254, 263; claims of, 44–48; discourses of, 55, 68; diversionary, 268; fears about, 208; female sexuality and, 45; fueling, 34, 263; individual, 267; overstating, 33; rethinking, 43–55; self and, 44; selfies and, 45; sociality and, 33; term, 43, 44; unwarranted attention and, 47; video, 25, 52, 132; vloggers and, 45–46

Nardi, Bonnie, 10–11, 20, 285n63

narratives, 37, 88, 152, 156, 216, 220; alternative, 7, 257–61; departure, 189; diversity in, 148; fall from grace, 251; historical, 260; teleological, 260

nbwulf, 119, 212, 213, 218–19

Netflix, 252

networks, 17–18, 95, 147, 181, 223; business strategies of, 236; communication, 75; digital, 19, 205; internet, 75, 260; multichannel/multiplatform, 30; profit-oriented, 237; social, 121, 181, 258; technological, 207; video-based, 72

new media, 55, 148, 150–51, 178, 227, 255, 256, 267

Newman, Michael, 183

nickynik, 129

nigahiga, 223

Nissenbaum, Helen, 279–80

nitrofreakmanho, 167

NorCalCorsello, 93, 94, 121, 130

NutCheese, 16

NYC Gathering 777 (video), 79, 98

Oakley, Peter, 42

observation, 62, 95, 96, 129; participation and, 26, 63–64, 65, 254. See also participant-observation

obsessive-compulsive disorder (OCD), 24

Offer, Avner, 107

offline, 18; online and, 19, 20

OhCurt, 77, 78, 136, 137–38, 232, 233

OlgaKay, 40, 41, 49, 239, 249

On Photography (Sontag), 56

OneTakeAsh, 178

online, 8, 18, 229; accounts, 187; offline and, 19, 20

Ontario Science Centre, 65, 69, 72, 78, 85, 242, 244; meet-up at, 73; photo of, 66

Ontus, 123–24

otherness, stereotypes of, 168

Padilla, Daniel Anthony, 230

Palmer, Parker J., 181

Paloque-Berges, Camille, 223, 224, 260

Papacharissi, Zizi, 45, 46, 169

paparazzi, 57–58, 59–60, 61, 64, 204, 254, 289n75

para-ethnography, 158, 159, 160, 163, 173, 180, 183

parentrazzi, 62

participant-observation, 7, 12, 25–26, 68, 277; criticism of, 64, 254–55; interrogating, 62–65

participants, 3, 5, 22, 33, 42, 61, 65, 74, 98, 130, 137, 167, 176, 232, 254, 276; emplacement and, 79; modalities and, 99; online, 101–2, 264; role of, 36

participation, 4–5, 9, 11, 25, 33–37, 50, 60, 66, 68, 82, 87, 96, 152, 175, 177, 190, 193, 197, 209, 211, 216; agentive, 189; arrhythmic, 185; broadening, 44; cameras and, 61, 64–65; centrality of, 165; collective, 146; contexts of, 251–52; defining, 105; democratized, 242; digital, 7; discussing, 95; ethnographic, 150; framing, 106; influences on, 75; intensity of, 8, 44, 167, 216; interactive, 36, 116; invitations for, 133–34; meaningful, 254; media-making and, 9; modal, 144; motivations for, 39, 43; networked, 30; observation and, 26, 55–61, 63–64, 65, 254; online, 112; positive, 151; problems with, 176; rhythm analysis and, 9; social rules of, 116; sociality and, 34; socially driven, 138; subscriptions and, 131; trajectories of, 37–43, 49, 55, 67, 188, 260; video making and, 36–37, 50; WordPress, 110; YouTube, 9, 14, 32, 38, 39, 43, 51, 52, 55, 62, 66, 71, 105, 106, 110, 116, 213, 219, 249

partnership programs, 231, 232, 250–51, 272, 300n21

Patreon, 231

Paul, Benjamin, 63

PayPal, 5

pedagogy, 170, 179, 180–81, 264

Pelaprat, Etienne, 112, 113, 121, 124, 130, 133

Penna, Joe, 243; photo of, 244

performances, 138, 191, 238, 250

Perriman, Cole, 202, 301n46

Perrin, Pat, 301n46

personal stories, 40, 42, 143

personhood, 191, 195, 207, 212; agentive, 193; idealized, 202; partial dimensions of, 187

Pew Research Center, 5, 37, 49, 53, 307n70

PewDiePie, 248

Phillips, Whitney, 196, 263, 268

photography, 39, 56, 187, 238, 289n66, 289n75

Pillow Talk 1:888 Toronto Meet-up (video), 96

Pinheiro dos Santos, Lucio Alberto, 284n21

Pini, Maria, 97

Pink, Sarah, 99, 158, 168, 179, 184, 274, 291n22; emplaced ethnography and, 70; on place, 74

Pixelodeon, 12

place, 70; creating, 83; emplacement and, 74; mediation and, 26; physical, 77; representations of, 76

platforms, 66, 100, 139, 145, 184, 192, 193, 223, 249; alternative, 260; changes for, 228; interaction, 218, 257; networked, 18; neutral, 257; news, 258; participatory, 259; public, 103; social media, 234, 258, 281; technical, 266; user-friendly, 282; video-sharing, 71, 180

Plato, 188, 267

Playlist Live, 238, 239, 240

Playlist Live 2013—@shanedawson Hello, @Harto, @JoeyGraceffa (video), 240

Playlist LIVE Highlights w/Pillow Fights (video), 239

PlaystationVUE, 229

Poehler, Amy, 235

politics, 156, 157, 169, 307n70; cultural, 10

polyrhythmic, 9, 206, 270

populism, 107, 117

Portelli, Alessandro, 251

posthuman, 9, 29, 188, 190, 194, 197, 201–2, 203, 206, 207, 213, 215, 216, 220, 245, 249; analyzing, 193; clashes with, 224; concept of, 191; connective aspect of, 189; experiences of, 28; mediated self and, 191–92; social media and, 192

posthumanism, 190–92, 207, 220, 254; absorbative, 202; contact/collision with, 192

Postill, John, 99, 184

posting, 5, 229, 249, 293n25

post-phenomenology, 17, 306n21

post-YouTube, thoughts on, 220–24

Preece, Jennifer, 154

prejudice, 21, 169, 172, 173, 268, 269

PresOfWeb, 164

PrincessDiana161, 205, 212

privacy, 172, 204; cameras and, 280; legal issues and, 21; policies about, 5; social media and, 297n75

production, 40, 237; creative, 271; cultural, 263; visual, 7, 274

professionalism, 6, 16, 17, 183, 224, 243, 264, 280

proudyke, 156, 157

pseudonyms, 13, 21, 103, 170–71, 193, 269

Psychology Today, 199

Public Broadcasting System (PBS), 46

rabidzebu32, 165

racism, 10, 21, 169, 177, 242

Radsch, Courtney, 176

Rant Response for Renetto, A (video), 232, 233

Rapport, Nigel, 184

ratings, 200–201, 300n40; commenter, 177; participatory, 257

Reagle, Joseph, 160, 171, 177

reciprocity, 7, 12, 108, 166, 184, 231, 254, 280; anthropological studies of, 27, 109, 116; attentional, 131; comments and, 110, 117–22; dialogue and, 121; digital media and, 111–13; dimensions of, 26–27; engaging in, 26, 27, 110, 120; eschewing, 110, 125–29; expressing, 112–13, 140; forms of, 107–8, 122, 123, 142; generalized, 120, 134, 138; heteromorphic, 114, 137; homeomorphic, 114, 130, 144, 255; idealization of, 133; inclinations toward, 112; insider’s view of, 142–44; interactions and, 111, 121, 134, 140; invoking, 124, 143; lessons about, 255; liking, 140; losing, 26, 121, 138; meaning of, 141; media makers and, 144; mediated, 108; mutual, 231; negative forms of, 108–9, 126, 143; as obligation, 27; as participatory law, 129; patterned, 131–34; positive forms of, 117, 143; reworkings of, 255; roots of, 140–42; social media and, 109, 112; sociality and, 108, 122, 143; subscriptions and, 126, 132; video, 26, 110, 113, 115, 116–40, 141, 261; video making and, 139; video sharing and, 114–16, 117; visual, 122–25, 125–29

Red Top Mountain State Park, photo of, 81

relationships, 10, 97, 113, 141, 280; building, 92, 127; community, 153; ethics governing, 163; future, 22; interpersonal, 24, 123; long-term, 124; maintaining, 86, 107; political, 124; public/private, 292n44; social, 124

“Remembering Ryan Basilio,” 214

renetto, 94, 95

Renetto + Boh3m3 = YouTube History 101 (video), 94

representations, 188, 203–4, 224, 252, 277; controlling, 275; ethnographic, 74; false, 29; posthumous, 210; visual, 190

reputation, 112, 177, 193, 279; manipulating, 200–201

research, 10–11, 225, 247; anthropological, 74, 75–76, 148, 158, 202–3; communication, 277; comparative, 258; digital, 70; ethnographic, 75–76, 148, 174; media, 33, 262, 269; primary, 71; protocol, 13; sociological, 174; subjects of, 64, 278; systematic, 266; visual, 165

Response to Vlog Brothers Vidcon Is a Ripoff! (video), 245

reunions, 86–89, 90, 106

Rheingold, Howard, 75, 155, 196

rhetoric, 51, 52, 162, 166, 263

rhythms, 4, 146, 203; analysis, 8, 9, 108, 270; anthropological, 273; behavioral, 8; collective, 91; conflicting, 9, 167; cultural, 9; interactive, 14; mediated, 9, 274; multiple, 228; participatory, 7–9, 29, 274; polymorphic, 65; public, 91; social, 9; temporal, 128

Richards, Mary, 82–83

Rignola, Joe, 79

Robinett, Paul, 95

robtran, 131–32, 193–94; anxiety for, 198–99, 201; mediated self of, 202; ratings and, 200–201; on reciprocity, 132; representation of, 196, 197; videos by, 195–96

Rocky (film), 90–91

Rotman, Dana, 154

Rouch, Jean, 179

rubrics, 7, 8, 11, 19, 22, 28, 64, 74, 77, 105, 153, 189, 255; community, 281; conceptual, 32, 35, 147; Lefebvrian, 29, 188, 227; participant-observation, 62; posthuman, 169, 190, 196, 201–2, 204; theoretical, 152

Ruby, Jay, 11, 179, 275, 277, 279, 280–81

Ryan Edit, 46

SadieDammit, 200, 201

Safety, Mr., 304n53

Sahlins, Marshall, 120, 126

Sanders, Chris, 230–31

Sandler, Adam, 95

Schieffelin, Bambi B., 288n16

Scroggins, Michael, 273

Seaman, Gary, 179

Second Life, 10, 196

Secrets of Videoblogging (Verdi and Hodson), 46

self, 147, 203; agentive, 191; construction of, 202; expressing, 263; media and, 43–44; mediated, 191–92, 202; narcissism and, 44; sharing, 39, 108; self-aggrandizement, 51, 62; self-centeredness, 24, 25, 53, 108, 123, 132, 143

self-expression, 24, 131, 166, 170, 195, 203, 229, 282; forms of, 45–48

self-perception, 189, 194, 198

self-promotion, 45, 85, 88, 92, 125, 127, 158; aggressive, 49–50; community and, 165; de-emphasizing, 24; encouraging, 179; sociality and, 18, 23–25

selfies, 23, 44, 55, 267, 268; fan, 45, 244; narcissism and, 45; video, 254

Senft, Theresa, 24, 44, 286n89

sentiment, 28, 105, 197, 267; community of, 184; posthuman, 209

“777,” 26, 91

sexism, 10, 21, 169, 177

sexual orientation, 156, 199

shared happenings, 90, 158, 282

Shay Carl, 236, 239

ShortbusMooner, 111, 145, 155, 156

ShrinerMcbitey, 162

Shrum, Wesley, 35, 36, 278

Silver, Jon, 251

Simmel, Georg, 141

SimplySadie, 200

skills, 67, 280; creational, 34; development of, 37, 265; digital, 274–75; editing, 40, 41; filmmaking, 131, 181, 194; musical, 40; participatory, 11, 40; production, 235, 274; rhetorical, 162, 263; self-presentation, 265; technical, 40, 55; video-making, 253

Skype, 42, 221

Slater, Don, 75

Smart Brown Voices (podcast), 176

Smosh, 230

SMPfilms, 84, 304n53

Snapchat, 219

Sobchack, Vivian, 88, 89

social arrangements, 74, 266, 281

social atmosphere, 116, 117, 233

social bonds, 84, 146, 185

social circles, 68, 146, 178

social collective, 147, 271

social connections, 23, 121, 129, 217, 262; establishing, 113; facilitating, 38; strengthening, 143

social encounters, 116, 123, 142, 276

social formations, 147, 185

social groups, 16, 24, 51, 149, 158, 167, 185, 188, 226, 257, 258, 270, 282

social intensity, 146, 223

social issues, 23, 24, 25, 50, 176, 267

social media, 4, 12, 13, 15, 20, 24, 76, 107, 113, 117, 124, 125, 127, 132, 171–72, 175, 176, 180, 189, 190, 204, 205, 208, 217; engines, 206; entertainment, 223; ephemeral, 187; migration and, 219; narcissism on, 43, 288n31; posthuman and, 192; privacy and, 297n75; production on, 9; publications about, 284n40; reciprocity and, 109, 112, 256; research on, 62; sensory deprivation and, 56; sharing, 280; shelf life of, 258; sites, 221; videos and, 238

social phenomena, growth phase of, 108

social support, 36, 42, 167

social uses, 257, 260

social ways, 178, 256

sociality, 4, 7, 9, 11, 17, 18, 20, 26, 32–33, 40, 48, 50, 78, 80, 123, 133, 134, 137–38, 165, 229, 237, 238, 243, 244, 246, 247, 251, 252, 253, 254, 260, 261, 262, 264; chronotopic chains of, 71, 92–94, 104, 240; collaborative, 105; collective, 156; communication and, 15; democratized, 106; development of, 146; emotion and, 27; emplacement and, 75; facilitating, 37, 85, 179, 234, 256, 258; frames of reference and, 71; grassroots, 245; human, 31, 90, 248; instrumentality and, 124; intensification of, 30, 70, 90, 111, 116, 179; interaction and, 75; internet, 167; interpersonal, 60; investment in, 144; maintaining, 113, 126, 129; meaningful, 108; media and, 61, 144, 152; mediated, 7, 68, 108; modalities and, 70; monetization and, 233, 250; narcissism and, 33; participation and, 34, 71; reciprocity and, 108, 122, 143; self-promotion and, 18, 23–25; subscriptions and, 130; technical competition and, 138; temporality and, 26, 94–98; VidCon and, 242

socialization, 7, 70, 157, 228, 240, 243, 276, 282; monetization and, 231–35

society, 156; fraction of, 164; in miniature, 87; small-scale, 7; sociology, 35, 150, 152, 163

Sociology One: Principles of Sociological Analysis for Australians (Waters and Crook), 163

Sontag, Susan, 55, 56, 62, 63

Sørenssen, Bjørn, 42

sousveillance, 278

South by Southwest, 218

SouthTube, 57, 59, 69, 80, 90, 114, 139, 148, 155; events at, 87; meet-up at, 38; photo of, 59, 80, 81, 149

spaces: creative, 228; creator, 235; digital, 33, 174; mediated, 259, 260; networked, 147; social, 67, 271; time and, 70; video-sharing, 33

spam, 28, 125, 159, 160, 294n64, 295n8

sponsorships, 115, 126, 250

spricket24, 123

stakeholders, 153, 158, 173, 180, 183; epistemological, 163; investment from, 185

stars. See celebrities

STEELPOT1, 164

stereotypes, 96, 156, 168

Stickam, 78, 100, 220, 221, 291n21, 302n89

Strangelove, Michael, 10, 52, 155, 199, 305n7

streaming service, 229–31, 234

Street, Mike, 176–77

sub for sub, 122–23, 126, 127, 132, 261, 293n39

sub4sub (video), 123

subscribers, 44, 126, 126–27, 130, 134, 157, 221, 230, 239, 248, 250

subscriptions, 114, 122, 127, 215, 259, 260, 282; comparative, 126; original videos and, 131; participation and, 131; reciprocity and, 126, 132; sociality and, 130; value of, 130, 131

Summer in the City, 238

support: community, 214–16; emotional, 47, 271; expressing gratitude for, 138–40; technical, 271

Susan, 214, 215; media making by, 44, 45

SuziNess1968, 120

symbolism, 251, 252, 281

Tajen: Interactive (documentary), 179

Talkin’ about OhCurt (video), 77

Taylor, Lucien, 279

TayZonday, 242

technology, 12, 112, 181, 188, 190, 191, 193, 199, 205, 257, 261; digital, 268, 280; emergence of, 23; humans and, 216; involvement with, 7; language and, 20; social media, 124

teddieppl77, 172, 173, 297n81

Tedlock, Barbara, 63, 64

television, 5, 17, 36, 113

tempi, 118, 250, 251

temporality, 26, 30, 33, 56, 115, 117, 143, 146, 215, 220, 228, 246, 272, 274; asymmetrical, 9; cultural dynamics and, 142; effect of, 44–48; experiential, 8; media, 270; multiple, 270; sociality and, 94–98; term, 8; understanding, 273; video, 271

temporicities, 271, 272, 273

ten-minute trick, 248

Terminal Games (Coleman and Perrin), 202

terms of service, 139, 158

thetalesend, 233, 234, 245, 246

thewinekone, 219–20

30 percent rule, 175

Thor, 208, 209, 210, 217, 236–37, 239

time stamps, described, 305n57

timur1lenk, 161

trajectories, 17, 103, 119, 146, 223, 235; media, 95, 272; participatory, 37–43, 49, 55, 67, 188, 260; temporal, 51, 95, 270–74

trebuchet1221, 154

tremendum, posthuman, 202–3, 224, 254, 279

tributes, 136, 139, 156, 157, 196

trolls, 157, 196, 198, 219, 263

truesign, 170

Tumblr, 112

Turkle, Sherry, 75

Turner, Victor, 27, 84, 85–86

Turner Based Gamer, The, 115

Twitter, 5, 12, 29, 112, 122, 132, 211, 216, 217, 219, 221, 234, 257; groups on, 153; launching, 258; Law of Reciprocity on, 294n64; migration to, 218; variations in, 258; YouTubers and, 222

2008 Philadelphia YouTube Gathering, The (video), 91

Uldam, Julie, 166

Usenet groups, 169

values, 92, 130, 131; cultural, 108, 177; production, 37, 40, 197

Vaynerchuk, Gary, 229

vernacular, 17, 24, 26, 29, 31, 37, 224, 268, 275, 281

Vernallis, Carol, 183

Veronica, 38, 47, 209, 210

Viacom, 238

VidCon, 12, 71, 82, 232, 304n48, 304n56; budget of, 245; celebrities at, 242, 243; early, 246; growth of, 240–41; photo of, 82; sociality and, 242; ticket prices for, 81; Viacom and, 238; videos of, 239

Vidcon What a Rip Off (video), 245

video bloggers, 57, 62, 216, 218; issues of, 264–65, 278; photo of, 61

video blogging, 23, 25, 34, 35, 36, 46, 53, 54–57, 61, 96, 109–10, 131, 151, 199, 208, 210, 238, 265, 267; characteristics of, 276, 277; maintaining, 12

video games, 38, 55, 262

video makers, 15, 27, 32, 34, 35, 51, 52, 59, 95, 97, 98, 113, 116–17, 122, 123, 128, 133–34, 143, 159, 193, 227, 232, 235; accounts of, 225–26; celebrity and, 96; commercial sponsors and, 81; commitment of, 201; cultural forms and, 17–18; emotional fungibility and, 106; emplacement and, 79; engagement by, 67, 118; ethic/agendas of, 277; individual, 270; legacy of, 188; media and, 9; meet-ups and, 73; monetization and, 29–30; narcissism and, 25; portrayal of, 272; promotions by, 66–67; reciprocity and, 114, 133; resources for, 260; rhythms of, 230; variety of, 16; viewers and, 228

video making, 3, 8, 11, 12, 35, 37–38, 39, 41–42, 51, 55, 65, 67, 72, 84, 101, 109, 149, 188, 193, 199, 203, 233, 250, 251; approach to, 32–33; cycles of, 249; emplacement and, 74; experience of, 83; increased, 40, 217; online, 264; participation and, 36–37; process of, 10; reciprocity and, 139; skills for, 40; techniques for, 197; trajectory of, 235

Video Reciprocity (video), 110

video sharing, 8, 17, 23, 28, 31, 49, 71, 72, 73, 134, 148, 199, 228, 234, 245, 256, 260; cultural practices of, 259, 261–62; dynamics of, 109; migration from, 30; parameters of, 227; practices of, 7, 261; reception of, 265; reciprocity and, 114–16, 117; researching, 261–81; social, 228, 266; temporalities of, 141

video streaming, 30, 227, 229–30, 233

Videoblogging (Dedman and Paul), 57

videochick770, 73, 78

videos: authentic, 28–29; birthday, 39, 47, 96, 134–35, 140; blimp, 44; causal, 49; celebrity-driven, 23; collaborative (collabs), 16, 26, 134, 136, 137, 138, 178, 261; comedic, 3, 38–39, 42, 115, 128, 134, 187–88, 224; commercial, 261; content of, 131; cool, 55, 85; deleting, 199, 206, 212, 271; educational, 179, 180, 266; feature-length, 11; half-life of, 225; hater, 195, 199; meet-up, 72, 79, 94–95, 97, 98, 106, 209, 269, 270, 276; offensive, 189, 198–99; parodic, 193; political, 156; popular, 5, 10, 206, 233; posting, 14, 37, 49, 73, 226, 272; promoting, 200, 259; promotional, 72, 73; public, 266, 278; quality, 41, 129, 264; reflection, 96; religious, 44; return, 225, 226, 249, 250; sharing, 4–5, 11, 49, 281; special-effects, 215; tagging, 205; thank you, 134, 135; trial, 84; tribute, 156, 157, 196; uploading, 32, 256; vernacular, 10, 44, 154, 183, 281; viral, 39, 181, 232, 242, 257; visibility of, 10; watching, 5, 6, 9, 11, 15, 242; YouTube, 15, 37, 94, 113, 265–66. See also mash-ups

view counts, 15, 104, 111, 124, 156, 197, 198, 200, 232, 287n101, 288n17

viewership, 178, 216, 234, 247, 274; commitment to, 122; creators and, 271; dissipation of, 270; sociality and, 250

viewing practices, 5–6, 10, 128, 247, 305n62

viral, 7, 10, 181, 182

virtual, 20, 153, 285n63

visibility, 67, 85, 232; ethics of, 280; mutual, 34, 66

Visiting Maker Studios Los Angeles California (video), 237

VLog to GOD—PART ONE—(The Voices of Creation) (video), 215

VLog to GOD—PART TWO—(Walking with Satan) (video), 215

vlogbrothers, 81, 231, 238

vloggers, 13, 47, 68, 109, 112, 144, 154, 157, 263, 266, 271; early, 262; interviews by, 56–57; media generations and, 226; narcissism and, 45–46; popular, 139; support from, 48; vernacular, 249; WordPress and, 111

vlogs, 11, 14, 15, 24, 26, 34, 38, 46, 47, 53, 58, 61, 77, 79, 81, 95, 96, 109, 116, 126, 129–30, 131, 156, 176, 187–88, 203, 211, 213, 215, 217, 219, 221, 225, 230, 233, 236, 237, 239, 240, 246; camera-address, 112; comedic, 100, 115, 134, 157; creating, 250, 253; lack of, 244; picture, 47; religious, 44

Wahlberg, Malin, 48

Walther, Joseph, 294n49

War on Robtran (video), 197

War on Capitalism (video), 175

Washington Square Park, 79, 91

Waters, Malcolm, 163

websites, 13, 220, 224, 253; demise of, 222; existential cycles of, 221; user-friendly, 234; video-sharing, 3

Weiner, Annette, 27, 129

Wellman, Barry, 21, 152

Wellner, Galit P., 261

Wesch, Michael, 14, 124, 181–82, 277, 285n42; communities of truth and, 183; sociality/communication and, 15; video by, 180–81

What Defines a Community? (video), 21, 27, 35, 147, 148, 150, 152, 168, 182

What I Have Done So Far to Block Vidcon 2010 (video), 245

WhatsApp, 20

WHY I TOOK A BREAK FROM YOUTUBE (video), 249

Why We Post (Miller et al.), 76, 180, 284n40

Why YouTube Sub4Sub Is Bad (video), 126

Wife among Wives, A (film), 279

Wikipedia, 13, 220

Williams, Cory, 84, 85

Wilson, Rainn, 235, 285n62

Wired Magazine, 41

Wogan, Peter, 168

WordPress, 12, 34, 109, 111

World of Warcraft, 11

WpgPeanut, 119, 120, 128, 129, 136

Wright, Karen, 199

Wu, Kevin, 223

Yahoo IM, 221

Yan, Yunxiang, 124

Yanomamö Interactive CD-ROM, 179

Yo’Tube, 90–91

You People Are CRAZY (and GREAT)!!! Thank You So Much! (video), 134

YouTube Black FanFest, 238

YouTube Community: Season 2 (video), 40, 221

YouTube Directors, 300n21

YouTube Etiquette (video), 115, 116

YouTube Music, 231

YouTube Music Key, 229

YouTube Music Premium, 231

YouTube Premium, 231

YouTube Red, 229, 230, 231

YouTube Space, 235

YouTube TV, 229

YouTube welcome page, 27, 173

You Tube Your Way (vlog), 176

YouTubers, 4, 8, 9, 13, 14, 18, 19, 21, 23, 26, 36, 52, 68, 77, 85, 87, 89, 92, 99, 100, 104; celebrities and, 242; chronotopic chains and, 93; community and, 152, 216; creative spaces and, 228; cultural expressions and, 16; data friction and, 102–3; events and, 97–98; experiences of, 70, 292n54; gatherings of, 81, 82; inspiration for, 34, 45; media generations and, 226; narratives and, 152; observation by, 62–63; orienting concepts of, 106; photo of, 61, 80, 81, 86, 89, 101, 133, 149, 241; posthuman identities of, 203; reciprocity and, 143; relationships among, 86; self-reflection by, 6; sociality and, 7, 48, 50, 237, 240, 245; starting over by, 35; stories of, 5, 31; support for, 250; video sharing and, 17; work of, 21, 95

YouTubia, 4, 14–17, 18, 261, 281

Zappin, Danny, 236, 237, 304n36

ZenArcher, 130, 139, 157, 162

Zhao, Yupei, 285n64

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