Johnson and the Fellow Traveler
Told by Pius Power Sr. in March 1979 at his home in Southeast Bight, Placentia Bay. Those present were Jack Ward, Edward Ward, Pius Power Jr., Maggie (Hepditch) Power, and Anita Best (recording). (Memorial University of Newfoundland Folklore and Language Archive [henceforth MUNFLA] Tape C10183 [87-117]; see also 2017-180)
Well, there was one time
in olden times
in farmers’ times
’twasn’t in my time
or your time
but ’twas in times ago
there was a man and a woman got married.
They had one son and they called him Johnson.
Well, they were pretty tidy over Johnson
they thought a lot about their—their child, as many do
and they worked away together, the three of ’em.
But . . . after a while . . . Johnson’s mother took sick
and she passed away.
Well, now, Johnson’s gettin’ up . . . in his teenages . . . he didn’t want to leave his father
so . . . there was nothing for him to do, only stay with his father.
So he stayed with his father all the time.
They got along together, the two of ’em, time in and time out.
But, begod, Johnson’s father took sick
and he’s goin’ to pass out.
Now Johnson is gettin’ up to the age of a young man now
and he’s gettin’ up to twenty-one—he’s up in twenty-one years old, so—
and the losin’ of his father is very bad on him.
He had no one else belong to him, only his father.
So he met an old lady
and he told her about his father bein’ so ill.
Yes, Johnson, she said
your father is dyin’. But, she said
as long as you can stay awake
and watch your father he’ll never die.
So that was alright, see, Johnson is goin’ to do that—to try to do it as long as he could.
Well, he watched his father for twenty-one days
and twenty-one nights now.
And, begar, the twenty-second night he dozed off to sleep.
He dreamt—he had a dream . . . that he was shakin’ hands with the beautifullest lady
that ever was under the sun
or the water wet
or the sun shined on.
Well, with the fright he woke
but when he woke, his father was dead.
So he lamented over his father
but sure, ’twas no good.
He had to get him buried.
Well, it cost him everything he had except one pound, two and sixpence.
And when he had his father buried and all
what he had left was one pound, two and sixpence.
So now he’s there alone
so there’s nothing left for him to do, only go seek his fortune.
So he packed up and he left—started off.
Well, at nightfall he was passin’ through a village place.
But there’s nobody there
’twas a kind of a ghost town
but there’s a church there.
An’ it looks like it’s goin’ to be a poor night
so he went in
and when he went in he looked around the church.
There was no one there
and nothing there.
So he said to himself the best place he’d go in the church was to lie down up on the altar floor.
So that’s where Johnson lay down, upon the altar floor.
He slept pretty solid
because he was twenty-one days and twenty-one nights without goin’ to sleep.
You know, you would be a little sleepy then.
[laughter]
So when he got the chance, he laid down
and got his forty winks.
But sometime in the night he heard the racket.
And he said to himself, God, he said
I was lucky to come in here
there’s an awful storm on!
Everything was goin’ hellfellero
that he didn’t know what in the devil to make of it the last goin’-off.
He woked up
and shook himself
and when he looked around
why, the moon was shinin’ in on the—in the church on the altar floor
But he rolled over on his elbow
and he looked down towards the door.
That’s where the bangin’ was
and the noise.
And what was this, only two men carryin’ a dead body up through one aisle of the church
and they pelted him over the pews
and they were goin’ for him in through one
and out through another
and back
and out through the door
and in again.
The last goin’-off, well, Johnson said
what is goin’ on? I’ll have to go see.
So he got up. He went down.
Well, me men, he said
’tis none of my affair, but, he said
what are ye doin’ with that coffin?
Oh, they said
there’s a body in that, they said.
And Johnson said
there is?
Yes, he said.
And Johnson said
what’re ye doin’ with the body?
That’s a man, he said
owed us one pound when he died.
And, he said
that’s the only way we have of gettin’ our money back.
Well, Johnson said
that is a poor treatment, he said
for a dead body, he said.
If he owed ye one pound and couldn’t pay it, why can’t ye go bury him?
No, they wouldn’t bury him until they had their own time in with him.
Well, Johnson said
go bury him
and I’ll pay ye the pound.
So Johnson paid ’em the pound.
Now, he only got two and sixpence left. He haven’t got very much money
but that’s the way it is sometimes in a young fella’s life.
Well . . . when the sun ris in the morning Johnson woke up
and when he woke up he got ready
and was goin’ out through the church door
and he knelt
and he bowed to the altar.
And when he did there was a little fella up in the end of the church said—
which they called the Gibbett—
Now I wouldn’ know what the Gibbet was
but he said
goodbye, Johnson!
Johnson said
goodbye, Gibbett!
So Johnson shut the door
and went on about his business.
So around noon . . . Johnson was goin’ along, didn’t know where he was goin’
but he was goin’ somewhere.
And by ’n’ by he heard, hallo!
He listened.
He stopped.
Next thing he heard was, hallo, Johnson!
Johnson said, hello!
Johnson, he said
can I go with ya?
Well, Johnson said
yes, he said
you can come if ya want to.
So a man trotted up, stepped up ’longside of him.
Now, Johnson, he said
I’m goin’ with you, he said
as your Fellow Traveler, he said.
Very good, sir, says Johnson
’tis alright to have company.
So . . . when—when they come to a little brook, they sot down for to have a lunch
and when they did there was an old lady . . .
she wasn’t an old lady
but she wasn’t young either
she was a lady come along, a woman.
And she had two hazel sticks on her brishney (a wood bundle).
And on her way along what did she do, only fell into the brook
and broke her leg.
Well, there she was, in agony in the brook
and Johnson went
and he picked her up
and he could do nothing for her.
And he said to his Fellow Traveler, he said
could ya do anything for her?
Oh, yes! he said.
I’ll cure her, he said.
She’ll be able to go on home, he said
but, I wants something for it.
And Johnson said, what?
He said, I wants them two hazel sticks.
So . . . the woman said
well, she said
I can’t give ya them hazel sticks.
The Fellow Traveler said
why not?
She said, I have two children home
and I promised them, she said
that I’d bring ’em two hazel sticks.
Well, he said
if you don’t give me the two hazel sticks, he said
you can stay where you’re to, he said
I’m not goin’ to lift one finger.
So now this kinda vexed Johnson because he wasn’t that kind of a makeup.
He’d—he’d sooner cure the poor old woman—the poor woman
and let her go on about her business.
He couldn’t see much use for hazel sticks.
Johnson said, why can’t—if you can cure the woman, he said
why can’t you do it? he said.
Them hazel sticks wouldn’ be much use.
The Fellow Traveler said
I needs ’em. If I didn’t need ’em, he said
’twould be a different thing. But, he said
she have to give me the hazel sticks, he said
or I won’t be curin’ her.
So, well, the last goin’-off she said, well, she said
I promised me childer, she said
I’d bring ’em the two hazel sticks.
Yes, but, he said
you—you can go back, he said
after you gives me the two hazel sticks
and get two more.
But, he said
if you don’t give me the two hazel sticks, he said
you’ll still be here with the hazel sticks.
So . . . there was no choice. The last goin’-off she said
well, she said
I’ll give you the hazel sticks.
So when she give ’im the hazel sticks he put his hand up to his mouth
spit in his hand, rubbed it over the old woman’s leg.
In a second she was walkin’ on it.
A wonderful person to have around!
So that was alright.
Himself and Johnson went on
but Johnson wasn’t sure what to make of—what to make of this Fellow Traveler.
So . . . the next day they’re travelin’ on . . .
when they come to the brook they were goin’ to have another lunch
and food was gettin’ pretty scarce
and Johnson hadn’t got much money
and the Fellow Traveler, he have none.
He said to Johnson, he said
we’ll have to—are you goin’ to have a lunch?
And Johnson said
yes!
So when Johnson was eatin’ there was a partridge flew along
and started to pick up the crumbs.
While she was pickin’ up Johnson’s crumbs, ’twas alright
but when she went to pick up the Fellow Traveler’s crumbs, he took a knife out of his belt
chopped off the two wings off o’ the partridge.
And she went flutterin’ away in the brook.
Well, if Johnson was vexed about the old woman, he was really vexed about the partridge.
He reared. He said
now, he said
I wasn’t brought up to that.
And, he said
you’ll have to alter that, he said
or we won’t be—or or we won’t be able, he said
to keep goin’ on together.
Because, you know, he said
that innocent bird, he said.
she was only gettin’ a bite to eat.
Yes, but, he said
I wanted them two wings
and, he said
she’ll get the wings again.
Johnson said, what way?
So . . . Johnson went out
and picked up the partridge, thinkin’ pretty bad about the bird there with the wings gone.
And when he brought her back, the Fellow Traveler said
hand her to me.
So then he took a little—took a little bottle out of his pocket
and he rubbed it on the butts of the partridge’s wing
laid her down ’tween him and Johnson.
Next thing, out sprung the wings
and away went the partridge!
Now—so . . . Johnson didn’t—he was so delighted that the partridge got her wings again
that he was—he was in kind of a . . . big . . . time.
So . . . they weren’t long traveling when they walked out in a town.
Now Johnson was such a clever-lookin’ young man
so the Fellow Traveler, he said to Johnson
they’re goin’ to have a ball here tonight, he said.
Now Johnson didn’t know where he found it out
but he was rummagin’ around.
He—Johnson got this place . . . in this boardin’ house for him and the Fellow Traveler.
And Johnson was takin’ a rest
but when Johnson was asleep, the Fellow Traveler was workin’—goin’ around—
thought he was workin’, anyway.
And when he come he told Johnson the news.
Now, he said
the King’s daughter, he said
she’s goin’ to choose a beau, he said
tonight.
And Johnson, he said
you’re a clever-lookin’ young man, he said.
I think, he said
you’d get a good stroke on her choosin’ a beau, he said.
You should go.
So Johnson said he’d go
but he didn’t have no invitation or nothing.
Oh, he said
there’ll be someone around, by ’m’ by (by and by).
So it wasn’t very long before the—one of the King’s pages come around.
He was goin’ around givin’ the invitations to the people to go to this ball
this givin’-out about the King’s daughter.
And when . . . as soon as ever Johnson went there
sure, she fell right straight dead in love with Johnson
right immediately, soon as ever she saw him
just the same as if ’twas me.
[laughter]
So . . . that’s alright, the lady choosed Johnson.
Now, Johnson is took right in to the parlor.
Oh, my! He gets—he’s there all night with the lady
and everything is number one—everything is goin’ number one now
he got plenty to drink—Johnson liked a drink—
and all is number one.
So he said to the King’s daughter
when the time come for him to go, he said
I got to go to me boardin’ house now.
Well, she said
yes.
And more’s the pity.
He said, yes?
She said, there’s ninety-nine heads, she said
on a spear all on the count of me.
And, she said
that’s the—that’s the worst on it.
And Johnson said
ninety-nine heads on a spear on the count of you, he said
sure, mine’ll make the hundredth, he said.
That’ll be alright!
He wasn’t afraid, or anything like that.
Yes, but Johnson, she said
there’s more to it than that, she said.
You have to come tomorrow morning
and I’ll be here, she said
and you have to come
and tell me what I’m thinkin’ on. If not, she said
your head have to go on a spear.
At noon tomorrow, she said
you are—your head have to go on a spear.
That didn’t suit Johnson very good
so he went back
and when he went back, his Fellow Traveler was up in high spirits.
Johnson was after gettin’ a few drinks
and all as ’twas.
He said, well, Johnson, he said
how’d ya come on?
I come on good, he said.
I come on good, he said
soon as ever, he said
the lady saw me, he said
she . . . choosed me.
I spent a merry time, he said
up till now.
And, he said
tomorrow morning, he said
I have to tell the lady, he said
what she’s thinkin’ on. Or, he said
at noon, he said
me head have to go on a spear!
Johnson, the Fellow Traveler said
that might be quite simple.
Oh, no, it’s not, he said.
Johnson was shockin’ down in the mouth over it.
No, he said
how could I know what she’s thinkin’ on?
Well, now, the Fellow Traveler said
there’s lots of things, he said.
she could be thinkin’ on . . .
but, he said
I’ll tell ya what ya’ll do, he said.
So Johnson said yes
this’ll be our last night together.
Ah, no, Johnson, he said.
Don’t never cry dead till you’re dead!
But, he said.
I’ll tell ya what ya’ll do. You go out, he said
buy a pound of tobaccy
and a dozen pipes
and two bottles o’ liquor—o’ rum
and come in, he said
and we’ll spend the rest of it merry.
So now Johnson done what he told ’im, went out
and he got the rum
and the pipes
and the tobaccy.
They started drinkin’ an’ smokin’
but ’twasn’t very long ’fore Johnson was asleep.
So when Johnson went to sleep, the Fellow Traveler . . . he goes out
sticks on his two partridge wings
and he flies straight to the palace . . . where the lady had to come out.
Now, she was enchanted . . . by . . . a Magnafoot
and he lived in the Magnafoot Mountains.
But the Fellow Traveler, when she come out through the windey (window)
he . . . went in under her crystal sheet that she spread over her for to fly
and every now and then he give her a whip o’ one o’ those hazel rods around the back
or around the—the rear end.
I don’t know where he used to hit her
but . . . everywhere he used to hit ’er
sometimes she thought—she was gettin’ it pretty tough.
Sometimes she thought she had to descend.
So . . . when . . . she come to the mountain
the mountain opened, she went down
and the Fellow Traveler went down with ’er.
When he went down
and he pitched—he stayed in under—in under her crystal sheet
and they didn’t see ’im.
Now . . . she told the . . . old Magnafoot . . . about the . . . awful time she had gettin’ to the mountain.
He said, you got another beau.
And she said
Yes. And more’s the pity, she said
he is a beautiful person—lovely young man, she said.
I don’t know if, she said
I’d sooner be dead meself.
He said, the younger, the beautifuller he is, he said
the easier to get to fool ’im.
Well now, she said
whatever you’re goin’ to tell me, she said
tell me what I have to be thinkin’ on tomorrow mornin’?
He said . . . you have two little balls o’ worsted, he said
in your lap, he said.
He’s sure not goin’ to think on that.
Well, she said
more’s the pity.
So he wanted her to stay
but she was—told him about the storm she met.
She thought ’twas sleet . . . that she got such a beatin’ comin’.
And she went back
and went in her—in her palace
and . . . the Fellow Traveler, he went home.
When—when Johnson gets up in the mornin’, pretty—pretty drowsy
and pretty—pretty miserable.
And the Fellow Traveler he said to Johnson
Johnson, he said
you ’ave now . . . he said
you have to be there on time, he said
if not, the King, he said
and his army’ll be lookin’ for ya.
So, he said
’tis better to face one, he said
than face a thousand.
And, he said
you have to do it.
Yes, he said
I have to do it.
And, he said
I don’t know, he said
what I’m goin’ to be thinkin’—what she’s thinkin’ on.
He said, ya don’t know?
Sure, he said
one thing is as good as another.
He said, yes.
But . . . he said
I’ll tell ya . . . pretty well, he said
that kind of a trick, now, he said
could be . . . something, he said
she had in her lap, like . . . a . . . ball o’ worsted, he said
or something like that.
He didn’t tell ’im.
if ya sees anythin’ like that in her lap . . . he said
when she ashes (asks) you the question, you tell her.
Aha, Johnson went with—th’ old King was just gettin’ his lifeguard to come when—
his army to come to look for Johnson when Johnson arrived.
Well, Johnson, he said
I didn’t think you were . . . goin’ to come.
Oh, yes, Johnson said
sir, I’m a man to me word.
And so when he went in . . . my God . . . in the room where she—the lady was sot
she was screened to the floor
all screened in, nothing to be seen, only just her—the screen.
The room was full of all kinds of noblemen
that poor Johnson didn’t know whether he was walkin’ on the—on the floor or up in th’ air.
He didn’t know, he was that frightened up.
But he goes over to the lady
and he rises the screen
and there she was.
And there was the two balls o’ worsted.
He talked to her for a little bit
and she was weepin’, lamentin’, and cryin’.
And Johnson, she said
I’m t—I’m really sorry, she said
and ’tis really a pity.
Well, Johnson said
when it comes to a pity, that’s worth nothing!
Johnson, she said
I have to ask you the question.
Go ahead, he said.
What am I thinkin’ on?
Well, he said
th’ only thing I’d know you’re thinkin’ on is them two balls o’ worsted
you have in your lap.
Oh!
The place went in a roar! ’Twas the first ever guessed one guess on the . . . old King’s daughter.
Now, they were right delighted
because they didn’t want their daughter to be—go down the Magnafoot Mountains
where they’d never see her again.
But still, if she—if she didn’t get that person to—to guess the guesses, she was, well—
ah, b’y, that’s the day that Johnson had the great time.
They were—had the cruel time, himself and the lady
and . . . everything number one.
But . . . when Johnson was leavin’
now Johnson, she said
ye guessed one guess on me
and that makes the thing more worse, she said.
You have to come again the morra morning
and do the same thing.
You have to do that, Johnson, she said
three times. There’s two more guesses to be guessed on me
and, she said
that’s goin’ to break my heart, if your head have to go on a spear.
Oh, the devil may care! said Johnson.
Ninety-nine heads on a spear, he said
but mine could make the hundredth.
He kept the best side out.
But when he got back to—to the Fellow Traveler, he was in an awful condition.
He was too—too sad almost to talk.
Well, Johnson, he said
how’d ya come on?
He said, I guessed that one.
What you told me, he said
was alright, he said
that’s what she was thinkin’ on.
Well, sure, he said
that’s an idee, he said
I told ya the one
and, he said
I might be able to tell you another, he said
or you might think on something else.
And . . . he said
all this is on’y done be chance work.
So, he said
you go out now, he said
buy two dozen pipes
two bottles o’ rum
two pound o’ tobaccy, he said
and come in
and we’re goin’ to have another night.
Why, they drank
and they smoked till Johnson fell to sleep,
and as quick as Johnson fell to sleep
the Fellow Traveler stuck on his partridge wings, as usual.
He had to be there at time.
When she come out through the window, he went under ’er crystal sheet.
But if he used one rod that night, he was usin’ the two the next night.
He used to give ’er a scattered—
Sometimes she thought she was goin’ to have to pitch.
But when they come to the mountain, the mountain opened
and they went down.
When they went down . . . she was pretty saucy with th’ old hangman o’ charity (should be Magnafoot).
She said, this is an awful goin’-over, she said.
I’m gettin’, she said
last night, she said
I almost had to pitch, she said
in a storm.
Tonight, she said
I’m almost beat sore, she said
with hail
and she said
’tis all for the sake of tryin’ to do away with that poor, innocent man.
Aaah, he said
don’t be so foolish! he said
but he guessed that! He’s not so simple, he said
as I thought he was.
But, he said. I’ll tell—
Yes, she said
and whatever you have to tell me, now, tell me quick, because I’m—I have to go again
’tis a cruel storm.
Well, he said
you be thinkin’ on a pair o’ little red shoes you have on your feet, he said
t’morra morning
and, he said
the balls o’ worsted, he said
that wasn’t so ha—difficult, because, he said
he was lookin’ at—lookin’ right at ’em, he said.
He knowed they were there for something.
But for your shoes, he said
he won’t know about that.
So that’s alright.
The lady went back home.
And right behind her, under the crystal sheet, went the Fellow Traveler.
When the Fellow Traveler got home Johnson was asleep.
But he routed up Johnson, now, out of the big hangover, after havin’ that much drink
and nobody only the two of ’em.
You knows how he felt.
And . . . to think about his head goin’ on a spear
and all that kind o’ stuff
so he was very, very, very bad.
Johnson, he said
You rout up out o’ this, he said.
B’y, he said
you—you know, he said
the next thing the King is goin’ to be here, he said
and you’re late already, he said
and by the time you gets there, he said
’tis they’re goin’ to be lookin’ for ya.
And Johnson said
I don’t care, ’cause, he said
I don’t know what to say.
Well, now, he said
I’ll tell ye, he said
if you don’t know.
Well, no, he said
I don’t know.
Well, he said
I’ll tell you what you do.
When you goes in, he said
don’t look at the people is there, he said
or anything like that.
Don’t . . . bother—don’t pretend to know they’re there.
And, he said
you look at her close, he said
when she—when you rises the screen, from head to toe, he said
look at what she have on her feet, he said.
It could be her shoes she was thinkin’ on
she’s—she’s thinkin’ on, he said.
It could be anything.
But, he said
try the shoes anyway.
And whatever color her shoes is, he said
you tell her that’s what she’s thinkin’ on, the color o’ the shoes
red or whatever color, he said
that it is, you tell her.
So Johnson went on
and he met—gar, he—the King was gettin’ pretty handy.
He met the King.
Johnson, he said
my daughter’s waitin’, he said.
And you know, he said
you’re hangin’ back a tot, he said.
You—you’re well ahead, he said.
You guessed the first guess, he said.
He said, everyone is lookin’ out for you.
Oh, Johnson said
no one have to look out for me, he said
I’m a man of me word. I’m comin’.
But, he said
I didn’t—I might not make it on the right . . . exact minute
but, he said
I’m goin’ to be there anyway.
hurry up, because the lady is waitin’.
So when Johnson goes back—when Johnson goes in, oh, by God
if there was a crowd there the—the day before, there’s half as many more there that day.
All noblemen, judges, and lawyers, there’s all kinds there.
Johnson goes in
but he done as the Fellow Traveler told ’im, he didn’t know there was anyone there.
He walked in
and went over and ris the screen.
And when he ris the screen, the lady began to cry
because she thought that Johnson wasn’t really goin’ to guess it.
And when Johnson ris the screen
the first thing was shinin’ before his eyes was those two red shoes.
And she lamented
and she was cryin’.
And Johnson asked her what’s the matter.
And she told ’im. ’Twas a pity anyway, she said
that a fine young man, she said
like you, for your head to have to go on a spear for the sake of me.
Well, she said
there’s ninety-nine heads on a spear.
Well, he said
there’s ninety-nine, mine’ll go along
and that’ll be a hundred.
But, he said
there’s no need of worryin’ over it, he said.
Whatever you have to ask, ask.
Well, Johnson, she said
I have to. What am I thinkin’ on?
I wouldn’ know anything you’d be thinkin’ on, he said
only for them beautiful red shoes you have on your feet.
Oh my! The old King jumped up
and he knocked down the old Queen, he was in such a tatter right then
that Johnson was after guessin’ two guesses on the daughter.
That was—that was . . . excellent!
Well, that was the day Johnson had the big time.
But when he was leavin’ in the evenin’ she said to Johnson
Johnson, she said
I’m more than sorry, she said
you have one more crack.
And I don’t expect, she said
that you’ll ever guess that one. I don’t know, she said
but I don’t expect you ever will. I don’t know, she said.
She didn’t tell him what she had to do.
And I don’t know, she said
either, any more than you.
in the morning I’ll know.
So Johnson went home
but he was—he wasn’t too bad that night, because he was after guessin’ another guess.
And the Fellow Traveler was after tellin’ him
now, you know, so Johnson, he said
you go out now, he said
and buy three dozen pipes, three bottles of rum, and a pound of tobaccy
and, he said
we’ll spend our night merry.
[Pause to answer the telephone.]
So, he said
whatever way she goes now, Johnson, he said
’twill be our last night together.
But, he said
we’re goin’ to spend it merry.
But now, you know
Johnson is so excited over this, it served hard to get him to give up.
You know, he was a good hand to stay awake.
He stayed awake twenty-one days
and twenty-one nights before
and he was a pretty good hand to stand no sleep
almost as good as I was.
And the Fellow Traveler had an awful job.
And now he knows the lady is goin’ to fly out at the tick of twelve.
But he had some job before Johnson fell to sleep
but as quick as Johnson closed his eyes, he stuck on his two partridge wings
and away with him. He had no time for nothing.
He was just there in time for to get under the crystal sheet.
But if he beat her the other two nights, I’ll tell you what it is
she got what was comin’ to her that night.
And when she got there, the mountain opened
and she went down.
She was exhausted.
She was near about killed.
And she said so to the Magnafoot.
He said, that fellow is not as green, he said
as I thought he was.
But no, she said
but, she said
you’re doin’ away with me. I didn’t think, she said
I’d ever make the mountain tonight, she said
’twas an awful storm, tonight.
Well, he said
accordin’ to that, he said
I didn’t think ’twas as bad as that.
Oh my, she said
you didn’t think it
but, she said
you weren’t out in no place.
He said, I’ll see you back, tonight.
And she said
I’m in a hurry now, she said
I wants to get back.
And she said
what am I goin’ to be thinkin’ on tomorrow?
You be thinkin’ on the Magnafoot’s head, he said
in the Magnafoot Mountains, he said
and he’ll never think on that.
So away she goes away, the mountain opened
and away goes the two of ’em
the old Magnafoot and the lady.
But he used to only give her a scattered welt
but he was goin’ for him
and when she went in through the windey
and when he turned to come back, the Fellow Traveler turned behind him.
And he knowed what the hazel rods was before he got back to the mountain.
And when the mountain opened for him to go down he—
the Fellow Traveler chopped the head off of the old Magnafoot
and he went down in the mountain.
That’s the end of him.
The mountain closed over, there was no more mountain.
That ends it.
So . . . when they come back Johnson is in the horrors, asleep.
But after a while he got Johnson up.
He knowed he was goin’ to have a job with Johnson this morning now
’cause this Magnafoot head in the Magnafoot Mountains, you know, is hard stuff to think on.
And he—so Johnson got up but he was pretty sad.
Now Johnson, he said
you knows nothing at all this morning either?
No, he said
not a thing.
Now Johnson, he said
you’re gettin’ pretty on the late, he said
you’re goin’ to meet the King pretty—pretty handy this morning.
And, he said
this is a tough day with you.
Very good, said Johnson
but sure, he said
I s’pose ’tis me last one.
He said, do you know anything to say?
Not a thing, Johnson said
not one thing!
No, he said
and I haven’t got much to tell you this morning
but, he said
you won’t see it around or anything, he said
this morning, be nothing for you to see today, he said
’tis what they calls, he said
a wild goose chase, the Fellow Traveler said to him.
But, he said
the best of my knowledge, he said
if I was you, he said
I’d tell her, he said
she’s thinkin’ on the Magnafoot head in the Magnafoot Mountains.
Johnson said, I—I never heard tell of it.
Well, he said
remember it. I knows about it, he said
I heard tell of it, he said
and see it in books, he said
and all that kind of stuff.
He kept at Johnson till he learned Johnson what to say.
And Johnson set out.
Well, by the holy, it wasn’t very long before he met the old King and his army comin’.
Johnson, he said
you’re shockin’ late this morning.
Better late than never, sir, said Johnson.
Now Johnson is a bit brave today, because he had two good days behind him
but still he’s tryin’ to keep in his poor brain this Magnafoot head
in the Magnafoot Mountains, see?
This is hard stuff.
But when he went in, ’twas get rid of it as quick as he could
and when he went in, she’s in the devil’s own tatter this morning
because she thinks Johnson is not goin’ to guess it.
She thinks Johnson don’t know it.
The last goin’-off she wiped her eyes
and cleared herself away.
Johnson, she said
’tis no use, what have to be have to be, she said.
What am I thinkin’ on?
Well, Johnson said
you’re—as far forth as I’m concerned now, he said
you’re thinkin’ on the Magnafoot head in the Magnafoot Mountains!
With that, by the holy Dublin, you know all went in alarm!
There was bells ringin’
and there was everything.
The lady is free.
And all this set her right off her head
and sure, she jumped up on Johnson’s back
and everything.
They had an awful time with it, I see that much goin’ on.
[laughter]
That’s very good.
Now they’re havin’ such a time, you know
and the lady . . . and Johnson is there, that it held up four or five nights
before Johnson come back to himself.
And when Johnson come back to himself, he thinks on his Fellow Traveler
and he was havin’ such a time
and the poor Fellow Traveler, he was home in the boardin’ house by himself.
He disappeared right out of the crowd, Johnson did
and straight for the boardin’ house to his Fellow Traveler, to pick him up.
And when he went, he was there.
Johnson, he said
we spent our last night together.
He said, you’re free
and you got—
Oh, Johnson thanked him for everything he done.
Now, Johnson said
you’re comin’ with me.
And, he said
you’re goin’ to live with me, he said
too.
No, Johnson, he said.
You had only two and sixpence, he said
and you still have your two and sixpence, only the bit, he said
that you paid here
and the bit of stuff you spent, he said.
You still have some.
And, he said, now you have lots.
And I was a poor man, he said
and I had no money, he said.
I died.
And me body was ramshackled, he said
all around, by ruffians, he said.
You paid me burial.
And one good turn, he said
deserves another.
So now, Johnson, he said
I’m goin’ to rest.
And you’ll live happy, he said
all your lifetime.
But, he said
there’s one thing, he said
you’ll have to do.
And Johnson said
what is that?
I ’spect, he said
the lady’ll tell you
but, he said
if she don’t tell you, he said
I will.
You’ll have to throw the lady into that lake, he said
into a lake, he said
three times.
Now, he said
don’t fail to do it.
So . . . alright.
Johnson was so long with his Fellow Traveler
that they thought now that Johnson is some kind of a—some kind of a witch or something
that’s after outdoing the Magnafoot, see?
That he come
and outdone him
and now he’s—he’s goin’ to get the lady.
Begod, the old King was very suspicious
and the lady was out of her mind. She was so delighted about Johnson
and now he’s disappeared.
She thought he was something just come for that.
They’re all in a tatter.
So the old King sot out to go look for Johnson
and on his way, he met Johnson comin’.
Johnson, Johnson, he said
you done an awful thing.
And Johnson said
well, what is that?
He said, you married the lady, he said
you had the lady won, he said
and then you runned away, disappeared, he said.
Now, he said
she’s home, he said
out of her mind in the castle
and don’t know what end become of you or where you went to.
Oh, Johnson said
yes, but you know, he said
I always paid me bills. I paid me way, he said
And, he said
I owed me boardin’ mistress.
So, he said
I had to—I went back to pay me boarding mistress, he said
and you know, he said
I was a bit . . . beat out, he said.
And so, he said
I had a doze off, he said
and I forgot all about the time. I forgot, he said
till I woke up, he said
and then I hurried on.
Well alright, Johnson, he said
hurry on back. She’s waitin’ for you.
Well Johnson went up
and she was there.
Now Johnson, she said
me and you have to go to the lake.
And I knows, she said
you’re not goin’ to do what I wants you to do.
And Johnson said
yes, he said
I s’pose.
So the two of ’em went to the lake.
And when they went to the lake, she said
now Johnson, you have to throw me in the lake.
Well, he said
I don’t want to do it, but if you insist, he said
I’ll do so.
Johnson grabbed her up
and slung her into the lake.
And when she come over water, she was the ugliest quality of a duck.
Well, now Johnson was—was mad.
And when he grabbed her up the next time
he was ne’er bit at all . . . bashful firin’ her in the next time.
And when he fired in the duck, she went underwater
and when she come up she was a swan. She swum over to Johnson.
And God, when he looked at the swan he did think . . .’twas a very nice bird
so he almost—he didn’t want to heave her back.
But he remembered what the Fellow Traveler told him
so he slapped her in again.
And the next time she come over water
she was the very lady that come to him in his dream.
And they got married.
And they lived happy ever after.
Well now, the last time I was there we had the biggest kind of a mug-up.
I had tea and they had coffee.
When I left ’em they were sot down to a tin table eatin’.
Tin table it bended
and my story’s ended.
If the table was stronger, my story’d be longer.
They were wavin’ goodbye when I come away
and if they don’t live happy, I hope we may!
ATU 507 [AT 507A] The Monster’s Bride
Motifs:
- Z 10.1. Beginning formula.
- Compare D 1855.4. Death can be postponed.
- Compare T 11.3. Love through dream. Falling in love with a person seen in a dream.
- Q 271.1. Debtor deprived of burial.
- E 341.1. Dead grateful for having corpse ransomed.
- F 950. Marvelous cures.
- H 310. Suitor tests.
- H 511. Princess offered to correct guesser.
- H 901.1. Heads placed on stakes for failure in performance of task.
- D 1022. Magic wings.
- H 972.2.1. Grateful dead man kills princess’s monster husband.
- D 766.1. Disenchantment by bathing in water.
- Z 10.2. End formula.
Comments
This tale type does not appear in Herbert Halpert and J.D.A. Widdowson’s Folktales of Newfoundland (1996), though the thematically similar Grateful Dead (ATU 505) constellation is well represented: a dead man shows gratitude to the hero for giving him a proper burial figures in three tales (numbers 21, 22, 96). In this story, Johnson, the only male main character not called Jack in this group of Pius’s stories, is an only son. In fairy tales generally, primary protagonist children have same-sex siblings, and Jack (or a female hero like Peg Bearskin) is the youngest. The older ones’ successes and failures contrast with Jack’s; often they get superficial results but lose at a crucial point. They may die, but when they live, Pius’s stories usually allow Jack to be magnanimous, in keeping with his sense of the importance of family and community. But Johnson begins by failing at an impossible task. He can’t stay awake forever so that his father won’t die. Though he makes it through an impressive twenty-one days without sleep, he falters on the twenty-second. Succeeding at impossible tasks is a convention of fairy tales, but Jacks invariably need helpers to do so. And so does Johnson. Fortunately, he acquires one, in the form of the Fellow Traveler.
Johnson’s dream on the twenty-second day gives him the first access to the woman he will eventually marry, but Pius brings her into the narrative using a poetic formula that reappears in his stories: the woman who is the most beautiful “the water wet or the sun shined on.” Scholars of oral tradition suggest that such formulas help explain how long, complex works can be passed down through the centuries without the aid of print. They argue that oral narrators do not memorize a story; instead, they recompose it with each telling. Formulas, as mnemonic devices, mean that a teller need not commit to memory word for word the entire story, as a print-based theatrical actor might. Instead, they recall the contours, and use formulas to fill them in with useful artistic constructions (see, e.g., Foley 1988). Formulas may also give tellers a secure place, a moment to pause and collect their bearings to continue narrating. As readers will see, formulas sometimes appear in similar contexts and forms, but Pius also alters them to fit the specific tale’s needs. Below, we offer two tellings of “The White King of Europe” on different occasions; they show how tale contours repeat, but word-for-word recall is unnecessary.
After his father’s death, like the Jacks, Johnson sets out to seek his fortune. But perhaps his recent bereavement has given him even more than the usual measure of sympathy for the dead, and Johnson pays for the burial of a body. Its owner becomes the Fellow Traveler, a helper who counsels the hero, helps him out of sticky situations, and enables his de-spelling of, and marriage to, the Princess. Since heroes’ kindness is so amply rewarded in Pius’s stories, the Fellow Traveler gets the dirty work of bargaining with the old woman, refusing to heal her until she gives him the marvelous hazel sticks.
Readers may wonder about the appearance and equally abrupt disappearance of a character called the Gibbett. Pius claims he doesn’t know “what the Gibbett was”—so why is he there? Given this statement, it’s not surprising that no one present for the narration pursued the matter. Early folklorists might have surmised that such an apparently unmotivated character’s presence in the version Pius originally learned meant that he felt unable to excise the Gibbett, or alternately that Pius had intended to return to him but forgot. Such inferences, of course, demonstrate condescension toward people called “the folk,” from whom collectors once distanced themselves, feeling that lack of education, poverty, working- or peasant-class status, or even gender (when men gathered tales from women), made the tellers inferior in intelligence. But we can surmise other possibilities. The gibbet—another term for the gallows—may suggest how the Fellow Traveler met his death. Or the Gibbett may appear to create some foreshadowing of a helper figure; but given that he anomalously introduces himself with a farewell, Johnson wisely simply speaks politely to him and proceeds on his way. The next person he meets, who turns out to be the Fellow Traveler, greets Johnson in a more appropriate way, with a “hallo.”
Pius demonstrates both his sardonic humor and his facility (also a watchword of oral narration) to insert himself (and others) into his narrative when he has the King’s daughter fall “right straight dead in love with Johnson, / right immediately, soon as ever she saw him, / just the same as if ’twas me.” The most accomplished tellers, like Pius, often use these moments to bring their audience back to the present, the occasion of telling, reminding hearers that the stories are not just of the past but have lessons and ideas that can be applied today.
Bengt Holbek’s interpretation of Danish versions argues that the monster—the Magnafoot in Pius’s tale—is a representation of the Princess’s father, to whom she is “secretly attached by an illicit sexual desire. . . . The task of her suitor is to liberate her from that attachment, i.e., to expose or kill her secret master—to solve her riddle” (1987, 540). Johnson’s magical transformation of his generic Princess into a duck, then a swan, then the literal woman of his dreams is achieved via water, not fire, as in some other stories here.